The Order of Things, 1976 - 1984


  

Photographing myself and my father,  in his studio as he paints on prints, combining along with negatives from trips with him and his boyfriend. Drawers full of negatives and prints, sequences of shelving books, accumulating knowledge about perspective, light, lenses.  Picture books of photographers and painters, photographing myself with my father in the frames and mirror and reflections, framed in conversation, on the wall the street sounds from the three windows of light reflecting. Built spaces framed for imaging, stills for Lacan, Butler and Mulvey. The studio is a long narrow space with a small glass window between the first and second room, it was used for projecting film. Parallet to the street, composites from the studio, computer and camera. Standing on the side walk from above the street, my fathers painting studio window, open, lights on. Sitter for the camera he paints. "The 1794 Pride Parade was the year my father moved into his painting studio. His work with print making and pigment was changing from color field to drawing to the figure photographed.
"The 1974 Pride Parade was broadened to emcompass the entire region. Some in the community saw its "Mardi Gras" theme as placing too much emphasis on celebration at the expense of activism. Others criticized the presence of drag queens in the festivities, since a number of attendees viewed drag as either misogynist or marginalizing. This dialectic-between political and social imperatives, identity politicsand assimilation, and different perceptions of gender roles-continues to the present day."